November 1st, 2011
Tube Testing – A common requirement for tube amplifiers used for professional and stage purposes is that there should be a high percentage of confidence that one or more tubes will not fail during the performance. Tubes are often thought of in the same manner as light bulbs, in that they are most likely to fail catastrophically at switch on. This means that the moments just after the switch on point constitute the most stressful and potentially damaging periods in the life of the equipment.In an attempt to guard against this possibility, it is common practice to do one of two things on a regular basis.
1/ regularly remove the tubes and have them commercially tested;
2/ replace the tubes with new stock on a regular basis.
These two methods may give the operator a degree of confidence ///but in fact, it can be shown that the faith placed in both methods is misplaced.
It is a known fact that removal of a tube from its socket results in a number of potentially damaging mechanical stresses on the metal to glass seals around the pins. Each insertion of an all glass tube will cause micro-cracking of the glass around the pin. This will invariably cause a small leakage of air into the tube, causing ‘gassing’ and eventually leading to its demise.
Removal for testing will also break the intimate contact between the holder and the tube contact pin, resulting in a poorer contact on re-insertion.
Many tube testers apply unreasonable electrical stresses to the valve internal electrodes and it is not uncommon for a known good valve to be damaged during the test. Tube testers can also give erroneous results depending on the way they perform the tests, possibly allowing faulty tubes to show ‘good’ and the good valves to be rejected as ‘bad’.
The second method of ‘blanket replacement’ with new stock on a regular basis can also lead to problems because if the failure distribution curve for tubes is analysed, it can be seen to follow the classic ‘bathtub’ failure curve. This inevitably means that an amplifier which is regularly ‘re-tubes’ will inevitably be considerably more likely to fail during the first hundred hours service than one which has been left untouched.
TubeSync overcomes these problems by performing an ‘in circuit’ test on the tubes every time the amplifier is powered up. The mutual conductance (gm) of the tube is measured by monitoring the cathode current of each valve whilst adjusting the grid bias in fixed steps. The results are tabulated and the new value is compared with previously stored values. A decision is then made on how far the tube has decayed in emission since the last test. Outputs from the device inform the user of the predicted remaining life of the tube.
Tags: 6v6, anode, Hiwatt at Musikmesse, Musikmesse, technician, Tube Amp Doctor, Tubes, TubeSync Bias Engine, UK, valve, valve matching Posted in Tube Amplifiers | Comments Off
June 9th, 2011
Sensational blues guitarist Mitch Laddie has been out touring with the product fitted to his Mesa/Boogie F-50, which he said sounds “incredible”. “I had totally fallen out of love with this particular amp before Tubesync was fitted but the difference in sound is more than substantial.The response and tone have been improved ten-fold. Very tight, very fat and all round punchier, especially in the low to mid frequencies.”
“I believe the product is very interesting and definitely nothing like anything I’ve seen or used before. The main advantages of the product are that not only does it give you a valve maintenance feature by displaying a light if a fault is found within a valve, but it manages your valves to run at an equal number of milliamps. This means that each valve is working at an equal rate which in theory gives you optimum amp performance.

Above : TubeSync fitted to a Mesa Boogie F-50

Tags: 6l6, 6v6, anode, Ashdown, bass, Bias Engine, Boogie, cathode, Custom, F50, Hiwatt custom amp, how to, KBO Dynamics, KT88, Laney, Marshall, Mesa, Mesa Boogie, Mesa Boogie F-50, Mesa Boogie F50, orange, Output transformer, Rockerverb 100 Head, technician, tube failures, TubeSync, TubeSync Bias Engine, UK, valve, valves Posted in Tube Amplifiers | Comments Off
June 3rd, 2011
Pics from Glory Days music in Joplin, MO USA. A reporter at CNN saw the orange tolex and took the pics.
We sincerely hope that the company can recover from this, our thoughts and best wishes go out to all.


Checkout the cymbal sliced into the door frame



Tags: amp, bias problems, Custom, EL34 Valve, guitar, Guitar amp repair scotand, KBO Dynamics, Laney, Marshall, music shop, Output transformer, Pacemaker 100, Tornado, Tube Amp Doctor, TubeSync, USA, valve failure modes, valves Posted in Tube Amplifiers | Comments Off
April 21st, 2011
Orange Amps presents DIVO with TubeSync technology. DIVO helps increase the life of your tubes, protects against unexpected tube failure, and even allows for (4) different tube types to be installed in the same amp.
DIVO will come pre-installed on select Orange Rockerverb 100 MKII heads beginning Summer 2011. The OV4 stand-alone unit, also available in 2011, can be installed on almost any amp that has (4) power tube slots.

Tags: 6v6, amp, Amp Fix, Bias Engine, bias problems, biasing, Dark Terror, Dennis Marshall, DIVO, Doug doppler, EL34 Valve, guitar, guitar amp repair, Guitarist Magazine, Hiwatt at Musikmesse, John Beer, KBO Dynamics, Marshall, Musikmesse, Orange Amps, Orange DIVO, Output transformer, Rock, Rockerverb 100 Head, Scotand, Summer NAMM, UK, valve matching, valves Posted in TubeSync | Comments Off
April 13th, 2011
Doug Doppler Demos Orange Amps Rockerverb 100 with DIVO Musikmesse 2011
 Orange Amps Rockerverb 100 with DIVO Musikmesse 2011 / Doug Doppler
Tags: 2011, amp, bias problems, DIVO, doppler, doug, Doug doppler, EL34 Valve, Frank, Frankfurt, KBO Dynamics, Marshall, Musikmesse, Musikmesse 2010, orange, Orange DIVO, Rockerverb 100 Head, Rockerverb 100 MKII, Rockerverb 50 Head, Technology, Tubes, TubeSync, TubeSync Bias Engine Posted in TubeSync | Comments Off
April 1st, 2011
Checkout the TubeSync DIVO review in the April 2011 Guitarist Magazine.
”TubeSync DIVO works perfectly and does an excellent job of keeping even the most wayward valves on the straight and narrow. If you want to get the absolute best out of your amp and improve its reliability, DIVO is almost an essential – it’s a real innovation”.

Tags: 2011, 6v6, amp, Bias Engine, cathode, DIVO, Frankfurt, guitar, hi, KBO Dynamics, Musikmesse, Musikmesse 2010, new, orange, Orange DIVO, Orange ov4, Output transformer, retro fit, technician, TubeSync, TubeSync Bias Engine, UK, valve, valve matching, valves, whats new at Musikmesse 2011 Posted in Tube Amplifiers | Comments Off
March 12th, 2011
Mitch Laddie and Michael Blackwell checkout the new Orange Rockerverb 100 head with DIVO. The verdict was 10 out of 10!



Tags: 2011, Custom, Demo, Frankfurt, Guitarist Magazine, Hiwatt at Musikmesse, Jamming, Michael Blackwell, Mitch Laddie, Musikmesse, Musikmesse 2010, Musikmesse 2011, orange, Orange Amps, Orange DIVO, Orange ov4, review, Rockerverb 100 Head, Rockerverb 100 MKII, Tinny Terror, US, whats new at Musikmesse 2011 Posted in Tube Amplifiers | Comments Off
February 25th, 2011
Come and see TubeSync / DIVO in action at the Northern Newcastle Guitar Show:
Northern Newcastle Guitar Show
The Lancastrian Suite, Federation Brewery, Lancaster Rd, Dunston, Gateshead, NE11 9JR
on Sunday 6th March 2011
With Blues Guitarist : Mitch Laddie
 
Tags: 6v6, Bias Engine, directions, entry, exhibitors, Federation Brewery, fee, Gateshead, guitar, hiwatt, Lancastrian Suite, Mitch Laddie, Newcastle, Newcastle Guitar Show, Northern, Show, TubeSync, TubeSync Bias Engine, valve matching Posted in Tube Amplifiers | Comments Off
February 22nd, 2011
A common requirement for tube amplifiers used for professional and stage purposes is that there should be a high percentage of confidence that one or more tubes will not fail during the performance. Tubes are often thought of in the same manner as light bulbs, in that they are most likely to fail catastrophically at switch on. This means that the moments just after the switch on point constitute the most stressful and potentially damaging periods in the life of the equipment.
In an attempt to guard against this possibility, it is common practice to do one of two things on a regular basis.
1/ regularly remove the tubes and have them commercially tested;
2/ replace the tubes with new stock on a regular basis.
These two methods may give the operator a degree of confidence but in fact, it can be shown that the faith placed in both methods is misplaced.
It is a known fact that removal of a tube from its socket results in a number of potentially damaging mechanical stresses on the metal to glass seals around the pins. Each insertion of an all glass tube will cause micro-cracking of the glass around the pin. This will invariably cause a small leakage of air into the valve, causing ‘gassing’ and eventually leading to its demise.
Removal for testing will also break the intimate contact between the holder and the tube contact pin, resulting in a poorer contact on re-insertion.
Many tube testers apply unreasonable electrical stresses to the tube internal electrodes and it is not uncommon for a known good valve to be damaged during the test. Tube testers can also give erroneous results depending on the way they perform the tests, possibly allowing faulty tubes to show ‘good’ and the good valves to be rejected as ‘bad’.
The second method of ‘blanket replacement’ with new stock on a regular basis can also lead to problems because if the failure distribution curve for tubes is analysed, it can be seen to follow the classic ‘bathtub’ failure curve. This inevitably means that an amplifier which is regularly ‘re-tubes’ will inevitably be considerably more likely to fail during the first hundred hours service than one which has been left untouched.
TubeSync overcomes these problems by performing an ‘in circuit’ test on the tubes every time the amplifier is powered up. The mutual conductance (gm) of the tube is measured by monitoring the cathode current of each valve whilst adjusting the grid bias in fixed steps. The results are tabulated and the new value is compared with previously stored values. A decision is then made on how far the tube has decayed in emission since the last test. Outputs from the device inform the user of the predicted remaining life of the tube.

Tags: 2011, 6v6, amp, anode, Ashdown, bass, bias, bias problems, biasing, current, Frankfurt, Hiwatt at Musikmesse, Hiwatt custom amp, KBO Dynamics, Musikmesse, NAMM 2011, orange, Output transformer, technician, Technology, Tube Amp Doctor, Tubes, TubeSync, TubeSync Bias Engine, valves Posted in Tube Amplifiers | Comments Off
February 16th, 2011
Due to the growing demand TubeSync has now over 2,000 friends on Facebook!

Click on the link above if you would like to join the TubeSync Revolution
Tags: amp, Ashdown, Bias Engine, biasing, DIVO, EL34, Facebook, Frankfurt, Guitarist Magazine, Hiwatt custom amp, KBO Dynamics, KT88, orange, Orange DIVO, Orange ov4, ov4, Tube Amp Doctor, TubeSync, TubeSync Bias Engine, v4, valve, valves Posted in Tube Amplifiers | Comments Off
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