Posts Tagged ‘Ashdown’

Marshall JVM210 100W & 50W With TubeSync DIVO OV4 Installed

Friday, July 13th, 2012

What is my opinion about the TubeSync Divo OV4? (Charlotte Mijnders – http://www.charlottemijnders.nl )

Well, it has improved my sound, it is much tighter than before, on both the amps it looks like the tubes are matched much better and are pushed to their best performance.

The overall sound is more defined, tighter, more dynamic to my opinion.

On my Jvm210 I have 2 El34’s and 2 6550’s , I can switch between them and they sound as mentioned above, but the best thing is combining all the tubes together, that makes a great sound, more tight bass and bass/mid response of the 6550,and beautiful mids and mid/highs of the El34 on top of it, I like it!.

That is a great option of the Divo, that you can combine tubes in this way.

Pictures

011_02

010_02

divo25_02

015_02

TubeSync Fitted To A Mesa Boogie F-50

Thursday, June 9th, 2011

Sensational blues guitarist Mitch Laddie has been out touring with the product fitted to his Mesa/Boogie F-50, which he said sounds “incredible”. “I had totally fallen out of love with this particular amp before Tubesync was fitted but the difference in sound is more than substantial.The response and tone have been improved ten-fold. Very tight, very fat and all round punchier, especially in the low to mid frequencies.”

Mitch & His Mesa F50“I believe the product is very interesting and definitely nothing like anything I’ve seen or used before. The main advantages of the product are that not only does it give you a valve maintenance feature by displaying a light if a fault is found within a valve, but it manages your valves to run at an equal number of milliamps. This means that each valve is working at an equal rate which in theory gives you optimum amp performance.

F50

Above : TubeSync fitted to a Mesa Boogie F-50

Tube Amp Testing For Professional Stage Performers – Engineering Tube Talk

Tuesday, February 22nd, 2011

A common requirement for tube amplifiers used for professional and stage purposes is that there should be a high percentage of confidence that one or more tubes will not fail during the performance. Tubes are often thought of in the same manner as light bulbs, in that they are most likely to fail catastrophically at switch on. This means that the moments just after the switch on point constitute the most stressful and potentially damaging periods in the life of the equipment.

In an attempt to guard against this possibility, it is common practice to do one of two things on a regular basis.

1/ regularly remove the tubes and have them commercially tested;

2/ replace the tubes with new stock on a regular basis.

These two methods may give the operator a degree of confidence but in fact, it can be shown that the faith placed in both methods is misplaced.

It is a known fact that removal of a tube from its socket results in a number of potentially damaging mechanical stresses on the metal to glass seals around the pins. Each insertion of an all glass tube will cause micro-cracking of the glass around the pin. This will invariably cause a small leakage of air into the valve, causing ‘gassing’ and eventually leading to its demise.

Removal for testing will also break the intimate contact between the holder and the tube contact pin, resulting in a poorer contact on re-insertion.

Many tube testers apply unreasonable electrical stresses to the tube internal electrodes and it is not uncommon for a known good valve to be damaged during the test. Tube testers can also give erroneous results depending on the way they perform the tests, possibly allowing faulty tubes to show ‘good’ and the good valves to be rejected as ‘bad’.

The second method of ‘blanket replacement’ with new stock on a regular basis can also lead to problems because if the failure distribution curve for tubes is analysed, it can be seen to follow the classic ‘bathtub’ failure curve. This inevitably means that an amplifier which is regularly ‘re-tubes’ will inevitably be considerably more likely to fail during the first hundred hours service than one which has been left untouched.

TubeSync overcomes these problems by performing an ‘in circuit’ test on the tubes every time the amplifier is powered up. The mutual conductance (gm) of the tube is measured by monitoring the cathode current of each valve whilst adjusting the grid bias in fixed steps. The results are tabulated and the new value is compared with previously stored values. A decision is then made on how far the tube has decayed in emission since the last test. Outputs from the device inform the user of the predicted remaining life of the tube.

TubeSync_350

TubeSync Facebook Friends Are Now 2,000+

Wednesday, February 16th, 2011

Due to the growing demand TubeSync has now over 2,000 friends on Facebook!

facebook-logo

Click on the link above if you would like to join the TubeSync Revolution

Aston Electronics Becomes A TubeSync Service Point. Guitar Amplifier Repair and Mods and Custom Amplification Services

Thursday, December 2nd, 2010

Volt Amps

For over 30 years, Geoff Pugh has been providing the musicians’ community with vital repair services. We repair, modify and produce high quality valve amplifiers. Our services extend beyond that of just valve amplifiers and therefore we are highly skilled in repairing and modifying other products such as effects pedals, solid state amplifiers, hi-fi amplifiers, etc.

Aston Electronics is the home of Volt Amplifiers. Volt Amplifiers are a range of high quality hand made amps built on demand. Specific features and requirements can be provide you with the ultimate amp of your choice.

Aston Electronics is also the home of the Darktone pedal series. These high quality hand made pedals provide you with a huge range in tone and depth which can be vital to a players live setup.

We are proud to annouce that Aston Electronis is now an approved installer of TubeSync.

To find out more visit : http://www.voltamps.co.uk

The Scissor Sisters Choose Hiwatt, Hiwatt Choose TubeSync

Friday, October 8th, 2010

The extravagant disco pop group The Scissor Sisters have purchased a Hiwatt amp for recording and live performances. They have just been announced as support to Lady Gaga for the North American leg of her Monsters Ball tour and have a new single “Any Which Way” out now.

scissorsist

TubeSync_199

Backline Rental Companies Save Time & Money With TubeSync

Friday, October 8th, 2010

Backline rental companies don’t shell out on big, powerful expensive amps if they’re not going to be used on stage by pro musicians or semi-pro at the very least. That also means that the public shell out to go and see the artists play. Therefore, neither party will be particularly chuffed if an amp tube goes in the middle of a performance. Many travelling pro’s use the services of a backline rental company to take care of their equipment, however many tube guitar amps have problems which cannot be avoided by even the best tech.

iStock_000006400704XSmall

So yes, the pro musician or backliner probably carries a spare amp or three just in case, not to mention a box full of matched tubes!

Peace of Mind

TubeSync gives the backline tech and the musician peace of mind; simple. With TubeSync fitted in the amplifier, it’s a bit like having a dedicated amp tech working full time on that amp from the moment it’s turned on to the moment it’s turned off. Best not to fiddle around too much, then. Better still, let TubeSync do what fiddling there needs to be done. Tubesync sits within the circuitry and ensures that the pairs remain matched throughout, and micro-adjusting the biases when necessary. Four LEDs display the status of each tube, in a 100W head for example, if a failure occurs TubeSync will immediately switch out the affected pair; OK, the amp will be functioning at only half power, but at least it will be working. That’s peace of mind. Knowing that this technology is available but not using it would be a bit like driving really fast whilst wearing welding goggles. Don’t want to worry you or anything.

Crowd at the rock concertWhy Choose TubeSync

•    Performance peace of mind
•    Greater efficiency due to reduced maintenance back at the workshop
•    Can be configured to work with any fixed bias tube amp
•    Logs how the long the amp has been driven with audio
•    Records faults seen by the amp – Gives the tech full diagnostics
•    No need to purchase tubes in matched pairs anymore, TubeSync takes care of the biasing
•    Save money, better tube life / only need to change the defective tube
•    Reduces quiescent power consumption
•    Detects tube failure and prevents catastrophic damage to amp
•    Switches out faulty tubes and runs amps at half power until tube can be changed

and there’s much more….

Bias Runner Software

Improving amplifier biasing methods, servicing and fault diagnostics

Interfacing with Bias Engine hardware, the Bias Runner software has been designed to allow professional amp technicians to interrogate the status of an amplifier, alter bias settings, perform field diagnostics and configure the amp for best performance, further adding value to your services.

Bias Runner

Bias Runner is easy to install, offering full fault diagnostics, enabling tube biasing with and without audio present, either collectively or as individual tubes. It is the perfect tool for warranty provision and servicing, providing a database of hardware serial numbers and storing amplifier parameter settings for full traceability.

Please click here for your free information pack

KBO Dynamics TubeSync Technology

Friday, September 24th, 2010

Introduction

There is a certain quirkiness about the British psyche. On the one hand, the proportion of consumers in this country who actually bother thoroughly to read instruction manuals is undoubtedly very low. On the other, there was a Japanese survey, apparently, that found of all significant inventions going back over 200 years, 55% of them were British. Obviously, the Germans are more disciplined and better organised. The Americans are driven. The Japanese are still incredibly advanced technically, yet the British struggle to get the trains running on time. Maybe that’s the point: because we’re surrounded by chaos, we’ve had to become inventive.

The Americans make the best electric guitars but the British make the best amplification, goes the old adage. Doubtless, there are as many British luthiers as American amp manufacturers chorusing their disagreement, but as a general rule, this is probably true. And although if you look at all the great British amp makers – Hiwatt, Marshall, Sound City, Orange and the rest – they all have an Achilles Heel: the tubes. Ironic, really; amps that collectively have been responsible for the greatest sounds in contemporary music relying on components whose design hasn’t altered at all for decades. Enter TubeSync.

TubeSync_225

The engineering guys here at KBO Dynamics – inventors of TubeSync technology -are into power supply. Their background ranges from white goods to defence, and to be fair, making a washing machine go is hardly rock’n’roll. But when they turned their knowledgeable gaze towards tube amps, well, that’s different. For example, when a technician at Hiwatt builds a Custom tube amplifier, he and he alone will spend 20 hours soldering the components to stringent quality control guidelines: no production line or PCBs here. Yet, despite this labour of love, if the tubes fail, the amp won’t work. So when KBO Dynamics approached Hiwatt with a system that could monitor the tubes constantly when the amp is turned on, adjust the biases, forewarn if the tube was getting flaky and even switch pairs should one of the tubes fail completely, they pricked up their ears.

TubeSync

Musicians don’t shell out for a big, powerful expensive amp if they’re not gigging. That makes them either pro musicians or semi-pro at the very least. That also means that the public shell out to go and see them play. Therefore, neither party will be particularly chuffed if a tube goes in the middle of a performance. Yes, the pro musician probably carries a spare amp just in case, as most guitarists have a spare guitar in case they break a string, but it’s not ideal. TubeSync gives the musician peace of mind; simple. With TubeSync fitted in the amplifier, it’s a bit like having a dedicated amp tech working full time on that amp from the moment it’s turned on to the moment it’s turned off.

custom ampThe output from a traditional 100-watt valve amplifier comes from two pairs of EL34 tubes: matched 1 and 4, and 2 and 3. There are companies who sell ‘matched’ pairs of these tubes, as two identical tubes will tend to last longer than an unmatched pair. Normally, the EL34 will operate at 50Ma, although they can be rated higher, but the higher they are rated, the shorter their life. Best not to fiddle around too much, then. Better still, let TubeSync do what fiddling there needs to be done. The device, which is not an integral part of the amplifier, sits within the circuitry and ensures that the pairs remain matched throughout, and micro-adjusting the biases when necessary. Four LEDs on the facia plate – one for each tube – serve as a visual indicator of the state of each one. So the musician is given adequate warning if one of the tubes is getting flaky. In the unlikely event of one of the tubes letting go completely without warning, TubeSync will immediately switch out the affected pair; OK, the amp will be functioning at only half power, but at least it will be working. That’s peace of mind. Knowing that this technology is available but not using it would be a bit like driving really fast whilst wearing welding goggles. Don’t want to worry you or anything.

hayden Granted, having TubeSync installed in the amp is going to give peace of mind, but then we at KBO Dynamics haven’t just left it at that. Professionals in the music industry need to find out not only that there are certain strains on the tubes within the amp, but are there conditions within the live situation that perhaps put an amount of stress on the tubes above others. Handy that the techies can plug a laptop into TubeSync and get a readout, then. Handier still, we are working on an interface that when completed will allow the TubeSync-ed amp to hook up with either us or Hiwatt via the internet, and the amp’s performance can be monitored remotely in real time, even if the gig is in Australia. How formula 1 is that then? But then again, it isn’t, when you think about it; it’s more like professional progress. The Rolling Stones, for example, earn millions every time they tour – having seen them, they’re worth every penny, but that’s just one opinion – but they will never have toured in the past with amps loaded with TubeSync. Imagine the poor old amp techs frantically peering through the grilles of the back line checking for the dreaded EL34 red death glow while the band is laying it down for over a million fans on a beach in Brazil: now that’s stress.

We are talking with other amplifier manufacturers, but Hiwatt was a logical place to start: they are fiercely proud of their reputation for reliability, rightly so, and any technology that compliments that reputation is clearly going to be of interest to them. Both KBO Dynamics and Hiwatt feel that the incorporation of TubeSync technology genuinely adds value not just to the amplifier, but also to the whole amplification process. Tubes are still fairly reliable; with or without TubeSync, manufacturers wouldn’t build tube amps if they weren’t and we’re not in the business of scaremongering. However, the fact of the matter is that they are still the least reliable component part of the amp, and if you have experienced ‘sod’s law’, then you’ll know that if a tube is going to fail then it’ll pick the most inconvenient time to do so. Going back to the driving analogy, the odds of you needing the airbag in your car are reassuringly long. But try driving a car without one fitted, you genuinely do feel vulnerable.

Conclusion

In recent years, there has been an exponential rise in ‘extreme sports’ and the arrival of the adrenaline junkie, doubtless in response to an increasingly risk-averse society. The term “Nanny State” has been coined as a result. But let’s keep things in perspective; there’s a big difference in safety for safety’s sake and straightforward common sense. TubeSync technology has been designed to prolong the life of the tubes in the gigging musician’s amp – which is good – and also to alert them to the fact that the tube is approaching the end of its life – also good. We think that’s common sense, which is why we invented it.

TubeSync_500

Hayden Amps New MoFo 100 With TubeSync

Tuesday, March 30th, 2010

Hayden amps launch the new MoFo 100 with TubeSync during Messe Frankfurt 2010

Hayen Mofo 100

The new Hayden MoFo 100 with TubeSync

TubeSync For Valve / Tube Amps What am I ?

Friday, March 19th, 2010

About me:

I am a revolutionary new amp component, enhancing amp performance resulting in pure valve magic. My superior amp technology overcomes many of the problems associated with conventional tube amplification. With a little help from me there is no need for bias current matching, I can increase tube life and take your valves to their optimum temperature as soon as you power up. I can be easily integrated into any guitar valve amplifier. I take care of the detail, so you can concentrate on becoming a master of the strings . . . You can find a lot more about me on my main website www.tubesync.co.uk

The TubeSync Bias Engine

The TubeSync Bias Engine

Eliminates the need for bias current matching of output tubes

Increases manufacturing efficiencies

Micro-adjusts the bias on each tube to ensure its full potential is realised

Maintains optimum performance

Increases tube life

Assures reliability

Reduces quiescent power consumption

TubeSync

TubeSync