Posts Tagged ‘Musikmesse’

Does Plate Dissipation Affect Valve / Tube Life In Practice ??

Thursday, November 8th, 2012

In general, the obvious connection between higher anode dissipation and shorter tube life holds good, however,  many other factors affect tube life, including accuracy of heater voltages and the efficiency of tube cooling within amplifiers.

The tube leaves the factory with a known amount of cathode coating material which is the source of all the electron emission. In use, this material is used up as it emits electrons when heated by the filament and plate current is drawn.

If plate current is drawn before the cathode is at operating temperature, the surface of the cathode can be damaged (so called ‘cathode stripping’).

This is why the Standby switch should be off when the amplifier is warming up. If, however, the tube is operated for long periods with the filament hot with little or no plate current being drawn, then an oxide-like coating can form on the cathode, effectively blocking the emission of electrons even when normal operation is required (known as ‘cathode poisoning’). TubeSync takes care of this by automatically controlling the bias at both start-up and run conditions.

vacuum tube EL34 valve

Plate dissipation is generally quoted by the manufacturer as a maximum value which, if exceeded could cause damage to the tube and should not generally be used for ‘normal’ operation. The relationship between tube life and plate dissipation follows an exponential curve. Tubes operated correctly at around 30% maximum dissipation can have lives in the region of tens of thousands of hours and can last several decades of years. This figure decreases rapidly as the dissipation increases, in some cased down to hundreds or even tens of hours as they approach or exceed their maximum plate dissipation rating.

Cooling is extremely important as running tubes very hot also increases the risk of arcing and a condition known as thermal runaway, which can instantly destroy the cathode material, making the tube useless. Conventionally biased tubes are most at risk when biased towards ‘Class-A’ operation, as they experience maximum power dissipation when no audio signal is present.

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Tube Amplifiers Used For Professional Performers

Tuesday, November 1st, 2011

Tube Testing – A common requirement for tube amplifiers used for professional and stage purposes is that there should be a high percentage of confidence that one or more tubes will not fail during the performance. Tubes are often thought of in the same manner as light bulbs, in that they are most likely to fail catastrophically at switch on. This means that the moments just after the switch on point constitute the most stressful and potentially damaging periods in the life of the equipment.In an attempt to guard against this possibility, it is common practice to do one of two things on a regular basis.

1/ regularly remove the tubes and have them commercially tested;

2/ replace the tubes with new stock on a regular basis.

These two methods may give the operator a degree of confidence ///but in fact, it can be shown that the faith placed in both methods is misplaced.

It is a known fact that removal of a tube from its socket results in a number of potentially damaging mechanical stresses on the metal to glass seals around the pins. Each insertion of an all glass tube will cause micro-cracking of the glass around the pin. This will invariably cause a small leakage of air into the tube, causing ‘gassing’ and eventually leading to its demise.

Removal for testing will also break the intimate contact between the holder and the tube contact pin, resulting in a poorer contact on re-insertion.

Many tube testers apply unreasonable electrical stresses to the valve internal electrodes and it is not uncommon for a known good valve to be damaged during the test. Tube testers can also give erroneous results depending on the way they perform the tests, possibly allowing faulty tubes to show ‘good’ and the good valves to be rejected as ‘bad’.

The second method of ‘blanket replacement’ with new stock on a regular basis can also lead to problems because if the failure distribution curve for tubes is analysed, it can be seen to follow the classic ‘bathtub’ failure curve. This inevitably means that an amplifier which is regularly ‘re-tubes’ will inevitably be considerably more likely to fail during the first hundred hours service than one which has been left untouched.

TubeSync overcomes these problems by performing an ‘in circuit’ test on the tubes every time the amplifier is powered up. The mutual conductance (gm) of the tube is measured by monitoring the cathode current of each valve whilst adjusting the grid bias in fixed steps. The results are tabulated and the new value is compared with previously stored values. A decision is then made on how far the tube has decayed in emission since the last test. Outputs from the device inform the user of the predicted remaining life of the tube.

Orange Amps DIVO TubeSync and OV4 Explained

Thursday, April 21st, 2011

Orange Amps presents DIVO with TubeSync technology. DIVO helps increase the life of your tubes, protects against unexpected tube failure, and even allows for (4) different tube types to be installed in the same amp.

DIVO will come pre-installed on select Orange Rockerverb 100 MKII heads beginning Summer 2011. The OV4 stand-alone unit, also available in 2011, can be installed on almost any amp that has (4) power tube slots.

ov4_tubesync

Doug Doppler Demos Orange Amps Rockerverb 100 with DIVO Frankfurt Musikmesse 2011

Wednesday, April 13th, 2011

Doug Doppler Demos Orange Amps Rockerverb 100 with DIVO Musikmesse 2011

Orange Amps Rockerverb 100 with DIVO Musikmesse 2011 / Doug Doppler

Orange Amps Rockerverb 100 with DIVO Musikmesse 2011 / Doug Doppler

TubeSync DIVO A Brilliant Idea From The UK That Could Be The Way Of The Future For Valve Amp Design

Friday, April 1st, 2011

Checkout the TubeSync DIVO review in the April 2011 Guitarist Magazine.

”TubeSync DIVO works perfectly and does an excellent job of keeping even the most wayward valves on the straight and narrow. If you want to get the absolute best out of your amp and improve its reliability, DIVO is almost an essential – it’s a real innovation”.

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Jamming With The New Orange Rockerverb MKII with TubeSync DIVO

Saturday, March 12th, 2011

Mitch Laddie and Michael Blackwell checkout the new Orange Rockerverb 100 head with DIVO. The verdict was 10 out of 10!

michael

TubeSync_225

Tube Amp Testing For Professional Stage Performers – Engineering Tube Talk

Tuesday, February 22nd, 2011

A common requirement for tube amplifiers used for professional and stage purposes is that there should be a high percentage of confidence that one or more tubes will not fail during the performance. Tubes are often thought of in the same manner as light bulbs, in that they are most likely to fail catastrophically at switch on. This means that the moments just after the switch on point constitute the most stressful and potentially damaging periods in the life of the equipment.

In an attempt to guard against this possibility, it is common practice to do one of two things on a regular basis.

1/ regularly remove the tubes and have them commercially tested;

2/ replace the tubes with new stock on a regular basis.

These two methods may give the operator a degree of confidence but in fact, it can be shown that the faith placed in both methods is misplaced.

It is a known fact that removal of a tube from its socket results in a number of potentially damaging mechanical stresses on the metal to glass seals around the pins. Each insertion of an all glass tube will cause micro-cracking of the glass around the pin. This will invariably cause a small leakage of air into the valve, causing ‘gassing’ and eventually leading to its demise.

Removal for testing will also break the intimate contact between the holder and the tube contact pin, resulting in a poorer contact on re-insertion.

Many tube testers apply unreasonable electrical stresses to the tube internal electrodes and it is not uncommon for a known good valve to be damaged during the test. Tube testers can also give erroneous results depending on the way they perform the tests, possibly allowing faulty tubes to show ‘good’ and the good valves to be rejected as ‘bad’.

The second method of ‘blanket replacement’ with new stock on a regular basis can also lead to problems because if the failure distribution curve for tubes is analysed, it can be seen to follow the classic ‘bathtub’ failure curve. This inevitably means that an amplifier which is regularly ‘re-tubes’ will inevitably be considerably more likely to fail during the first hundred hours service than one which has been left untouched.

TubeSync overcomes these problems by performing an ‘in circuit’ test on the tubes every time the amplifier is powered up. The mutual conductance (gm) of the tube is measured by monitoring the cathode current of each valve whilst adjusting the grid bias in fixed steps. The results are tabulated and the new value is compared with previously stored values. A decision is then made on how far the tube has decayed in emission since the last test. Outputs from the device inform the user of the predicted remaining life of the tube.

TubeSync_350

Backline Rental Companies Save Time & Money With TubeSync

Friday, October 8th, 2010

Backline rental companies don’t shell out on big, powerful expensive amps if they’re not going to be used on stage by pro musicians or semi-pro at the very least. That also means that the public shell out to go and see the artists play. Therefore, neither party will be particularly chuffed if an amp tube goes in the middle of a performance. Many travelling pro’s use the services of a backline rental company to take care of their equipment, however many tube guitar amps have problems which cannot be avoided by even the best tech.

iStock_000006400704XSmall

So yes, the pro musician or backliner probably carries a spare amp or three just in case, not to mention a box full of matched tubes!

Peace of Mind

TubeSync gives the backline tech and the musician peace of mind; simple. With TubeSync fitted in the amplifier, it’s a bit like having a dedicated amp tech working full time on that amp from the moment it’s turned on to the moment it’s turned off. Best not to fiddle around too much, then. Better still, let TubeSync do what fiddling there needs to be done. Tubesync sits within the circuitry and ensures that the pairs remain matched throughout, and micro-adjusting the biases when necessary. Four LEDs display the status of each tube, in a 100W head for example, if a failure occurs TubeSync will immediately switch out the affected pair; OK, the amp will be functioning at only half power, but at least it will be working. That’s peace of mind. Knowing that this technology is available but not using it would be a bit like driving really fast whilst wearing welding goggles. Don’t want to worry you or anything.

Crowd at the rock concertWhy Choose TubeSync

•    Performance peace of mind
•    Greater efficiency due to reduced maintenance back at the workshop
•    Can be configured to work with any fixed bias tube amp
•    Logs how the long the amp has been driven with audio
•    Records faults seen by the amp – Gives the tech full diagnostics
•    No need to purchase tubes in matched pairs anymore, TubeSync takes care of the biasing
•    Save money, better tube life / only need to change the defective tube
•    Reduces quiescent power consumption
•    Detects tube failure and prevents catastrophic damage to amp
•    Switches out faulty tubes and runs amps at half power until tube can be changed

and there’s much more….

Bias Runner Software

Improving amplifier biasing methods, servicing and fault diagnostics

Interfacing with Bias Engine hardware, the Bias Runner software has been designed to allow professional amp technicians to interrogate the status of an amplifier, alter bias settings, perform field diagnostics and configure the amp for best performance, further adding value to your services.

Bias Runner

Bias Runner is easy to install, offering full fault diagnostics, enabling tube biasing with and without audio present, either collectively or as individual tubes. It is the perfect tool for warranty provision and servicing, providing a database of hardware serial numbers and storing amplifier parameter settings for full traceability.

Please click here for your free information pack

Duesenberg Boutique Amps Make TubeSync A Standard Integral Component.

Sunday, June 13th, 2010

After extensive testing, Duesenberg Boutique Amps select TubeSync as a standard part of their high quality boutique amplifier range.

Duesenberg is better known for their high quality guitars. In a unique way Dieter Goelsdorf´s Duesenberg design consolidates guitar construction, features and sounds which have written music history. The art deco style design of headstock, pickguard and metal components gives Duesenberg its own eye-catching look, while the body design bases on the old traditional Jazz guitars like being built from the 40s in Europe and in the USA.

guitar

These design elements are combined with the best possible electric guitar construction values of the 50s: Grand Vintage Alnico pickups, classical Fender scale length plus a Gibson-like fingerboard radius. Most of the vintage-style tailpieces, bridges, tremolos, pickups and controls come with greatly improved details.

Doozy2_Amp_300

The Duesenberg Doozy Two amp as pictured above is hand-wired and built in Germany, It is equipped with EL34 power tubes at 110 watts, but with the capabilities of also switching to 55 watts. This all around two channel amp comes with a switchable gain stage for the drive channel as well as serial loops for each channel. Duesenberg are proud to announce that TubeSync technology will be fitted as standard on new models manufactured after July 2010. ‘’TubeSync enhances reliability without changing the tone of the amp’’ More exciting TubeSync features will be announced shortly!

For more information visit :

http://www.tubesync.co.uk

http://www.duesenberg.de

German Based Bulldog Amplification Approves TubeSync

Friday, June 11th, 2010

Bulldog Amplification builds handcrafted tube amps in Germany to meet  the ever demanding needs of musicians in terms of tone and reliability. Years of experience in repairing and modifying tube amps has lead to an exclusive line of guitar amplifiers. These instruments are built to produce the best possible tone. Most of today’s amps offer many different sounds and functions, but the guitar signal has to pass through various paths of electronic circuitry until it reaches the speaker, consequently the tone is weakened. Tone and bullet proof reliability are the most important things for Bulldog Amplification and that’s why Bulldog is delighted to announce that TubeSync will become standard within their The Jack 66, Jack 18, Black Bert 1, and Den Lachs amplifier models.

bulldog

The ‘’Jack 66’’

‘’The combination of TubeSync with short signal paths and other high quality components make our amplifiers world class and due to this, Bulldog Amplification is becoming a preferred choice by professional artists and serious guitar players’’.

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The TubeSync ‘’Bias Engine’’

‘’ Robust, bomb proof reliability, with enhanced functionality and perfect tone is what we want’’ – says Ingo Bührmann from Bulldog Amplification. Ingo goes on to say…

‘’Cheap poorly designed products from China are fast becoming unacceptable to guitar players especially within Germany, where high quality engineering is embedded within our culture’’ You would buy a car if the drive was terrible and it broke down when you needed it the most, well would you? ‘’ I believe the same philosophy applies to guitar amplifiers, high performance and reliability is paramount’’.

Bulldog Amps are currently used by a number of high profile bands such as the massively popular German band Guano Apes and Livingston. Bulldog amps with TubeSync will soon be appearing on a stage near you!

Guano Apes

Guano Apes

Liv

Livingston

For more information on TubeSync email:

UK: info@tubesync.co.uk

Germany: info@bulldog-amps.com