Posts Tagged ‘Musikmesse’
Thursday, April 1st, 2010
Famed for their legendary reliability and tone, Hiwatt have gone one step further in the reliability stakes by employing TubeSync® technology in their already bulletproof amplifiers.
Over the last year, Hiwatt and Durham-based KBO Dynamics have developed their own version of a pioneering technology called TubeSync®, which Hiwatt will launch at Frankfurt Musikmesse 2010 in March. The technology has been developed in order to overcome problems associated with conventional tube amplification such as biasing, tube longevity and overall reliability. What the collaboration has achieved is to improve amplifier design without changing the fundamental amplification process yet retaining the classic Hiwatt tone and sound.

Although not an integral part of the amplification process, Tubesync® is connected to the heart of the amp’s circuitry, constantly testing and monitoring; it’s like having an amp technician working full time inside the box every time the amp is powered up. This technology eliminates the need for tube bias current matching, increases tube life by micro-adjusting the bias on each tube, predicts tube failure and can, in the event of a catastrophic tube failure, even run the amp at half power. The result is the eradication of many of the problems hampering conventional tube amplifiers and peace of mind for the musician wise enough to have taken this route.
KBO Dynamics Chief Exec Andy Fallon: “It has been a pleasure working with Hiwatt who have been extremely receptive to change and have embraced the new technology. They have seen the benefits it can bring to them and of course, their customers, and we are looking forward to further exciting collaborations. This technology genuinely has raised the bar concerning reliability and classic tube amps, and what’s more. It’s been developed exclusively in the UK.”

Tags: anode, bias, Bias Engine, bias problems, Frankfurt, gain, guitar, Hiwatt at Musikmesse, Hiwatt custom amp, how to, Musikmesse, Musikmesse 2010, Tube Amp Doctor, tube failures, Tubes, TubeSync, TubeSync Bias Engine, valve, valve matching, valves Posted in Tube Amplifiers, TubeSync | Comments Off
Tuesday, March 30th, 2010
Hayden amps launch the new MoFo 100 with TubeSync during Messe Frankfurt 2010

The new Hayden MoFo 100 with TubeSync
Tags: amp, Ashdown, Ashdown Engineering, Bias Engine, cathode, EL34, Frankfurt, Hayden, Hayden Amps, Mofo, Mofo 100, Musikmesse, Musikmesse 2010, Output transformer, pacemaker, Pacemaker 100, Sound, TubeSync, TubeSync Bias Engine, valves Posted in Tube Amplifiers | Comments Off
Wednesday, March 24th, 2010
Orange amps test out TubeSync within Orange’s Thunderverb all-valve “flagship” amp head, during Messe Frankfurt 2010

The History Of Orange Amps
Orange was founded in 1968 by Clifford Cooper of London, and started as a recording studio. The studio featured an IBC mixing console originally owned by Joe Meek of the The Millionaires.
In autumn 1968, Cliff placed an order with the Huddersfield-based company Matamp (named after founder Mat Mathias) to make some 100-watt`valve amps for Orange to Cooper’s design. The manufacturing plant in the United States signifies that only the US-distributed Oranges cabinets are made in the States; currently, valve amps are manufactured in England, Korea and China.
Orange amplifiers are primarily mid to low-gain valve/vacuum tube amp heads, designed to be coupled with a matching speaker cabinet. Their most popular guitar amplifiers were the OR120, usually referred to as the “pics only” model for its use of pictures instead of text to indicate each knob’s function, and the later OD120 overdrive model which was equipped with a master volume control. Most Orange guitar amps were based on output circuitry which used EL34 tubes (as did other popular British amp makers such as Marshall and Hiwatt), and were available in the separate amp head and speaker cabinet format.
In the 1970s, Orange also made ‘hybrid’ PA amps that coupled a solid state mixer stage with a tube (valve) power stage. In recent years, Orange has also produced guitar combo amps (speaker and amplifier in one assembly), as well as amplifiers for bass guitar and other audio products.
In the late 90’s and early 00’s, Orange also made a range of very successful all-tube combos, such as the AD 15/12 and the AD 30R. The AD 15/12, a Class A, single speaker 15 watt model, is now out of production and highly sought after.
Orange introduced the Solid State ‘Crush’ series in 2001, and in 2004 they introduced the new Rocker series. This series consists of five different amp models. These are the Rocker 30, which features a classic British rock sound, 2x EL34 power tubes working in Class A and today being the only amp available as a 1×12 combo. The Rockerverb uses similar circuitry, but has an extra gain stage and much more modern voicing. They also feature a reverb. The Rockerverb comes as a 50 watt head (featuring 4x 6V6 power tubes) and a 100 watt head (featuring 4x EL34 power tubes, but these can be switched to 6L6 or 6550 power tubes). In 2006 Orange introduced two new amps- the small and portable Tiny Terror, which has received big popularity for its ease of use, excellent tone and low price and the Thunderverb 200, which is a guitar/ bass amp with 200 watts of power (6 x 6550 power tubes) and an inbuilt attenuator, aimed more at modern sounds. Orange also revealed a smaller version, the Thunderverb 50, which has a 50 watt output.
In 2008 Orange released a re-make of the ‘Pics only’ head. There were 40 of the custom shop OR50’s to be released, each with a different circuit and girls name instead of a serial number. There is also a non-custom shop version of the OR50 which is in full sale, and not limited amounts.
In 2009, Orange unveiled the two channel Dual Terror at the NAMM Convention in Anaheim, Ca. The first “Tiny Terror” channel features the same circuitry as the Tiny Terror amp. The second “Fat” channel has a similar sound but with more gain and a more prominent low end. The Dual Terror features 30 watts of power delivered by four 12AX7 preamp tubes and four EL-84 power tubes. The amp is switchable down to 15 watts and 7 watts via a half/full power switch on the front of the amp and a 4 power tube/ 2 power tube switch on the back. The Dual Terror is also physically larger than the Tiny Terror.
Tags: 6v6, AD200B Head, AD30 Twin Channel Head, amp, Crush 10, EL34, Frankfurt, gain, guitar, Musikmesse, Rockerverb 100 Head, Rockerverb 50 Combo, Rockerverb 50 Head, technician, Tiny Terror, Tiny Terror Combo, Tiny Terror HardWired Edition, Tube Amp Doctor, tube failures, TubeSync Bias Engine, valve failure modes, valves Posted in Tube Amplifiers | Comments Off
Friday, March 19th, 2010
About me:
I am a revolutionary new amp component, enhancing amp performance resulting in pure valve magic. My superior amp technology overcomes many of the problems associated with conventional tube amplification. With a little help from me there is no need for bias current matching, I can increase tube life and take your valves to their optimum temperature as soon as you power up. I can be easily integrated into any guitar valve amplifier. I take care of the detail, so you can concentrate on becoming a master of the strings . . . You can find a lot more about me on my main website www.tubesync.co.uk
 The TubeSync Bias Engine
Eliminates the need for bias current matching of output tubes
Increases manufacturing efficiencies
Micro-adjusts the bias on each tube to ensure its full potential is realised
Maintains optimum performance
Increases tube life
Assures reliability
Reduces quiescent power consumption
 TubeSync
Tags: amp, anode, Ashdown, bass, current, Custom, Frankfurt, guitar, hi, hi gain, hiwatt, Hiwatt at Musikmesse, Hiwatt custom amp, KBO Dynamics, Marshall, matched pairs, Musikmesse, Pacemaker 100, Technology, Tube Amp Doctor, tube failures, Tubes, TubeSync, valve, valve failure modes, valve matching, valves Posted in TubeSync | Comments Off
Thursday, March 18th, 2010
Never hang your guitar tubes upside down as many horrible things may happen!!!
The heat from the electrodes will go directly to the base pins and cause problems with oxidization. The heat will also cause micro-cracks on the pins of the tube / valve, which could result in failures.
So don’t do it !!…….
Tags: amp, anode, Ashdown, Bias Engine, biasing, cathode, current, hiwatt, Hiwatt custom amp, KBO Dynamics, Marshall, Musikmesse, orange, technician, Technology, Tube Amp Doctor, tube failures, TubeSync Bias Engine, UK Posted in Tube Amplifiers | Comments Off
Wednesday, March 17th, 2010
KBO Dynamics are making their mark in the international music industry. They will be showcasing their technology with a number of major customers at the high profile international music fair, Musikmesse in Frankfurt this March. Hiwatt is just one of the world’s most prominent guitar amp manufacturers and KBO Dynamics are delighted to have TubeSync technology incorporated in their latest amp designs.
 KBO Dynamics Win Innovation Award 2009
KBO Dynamics, winners of the Durham and Wearside Innovation Business Awards 2009, stated : TubeSync technology achieves unique benefits including vastly improved reliability and performance in tube amps. Securing orders from Hiwatt and others is a significant achievement.
 KBO Dynamics Power and Control Devices
‘The scale of the companies that KBO Dynamics are working with is impressive. They have ambitious plans for growth and have been performing very well since receiving investment from us. KBO Dynamics is an excellent example of successful innovation coming out of the North East and is testimony to the region’s strong knowledge base,’ Dr Richard Exley, North Star Equity Investors.
The company has also been supported with market research, manufacturer introductions and early product launch activity by think M., a leading strategic marketing and research agency specialising in technology and innovation.
Andy Fallon, KBO Dynamics, ‘think M.’s channel research played an important part in helping us to secure investment by providing the market evidence required to prove TubeSync’s growth potential. It helped us to refine our offering to amp manufacturers and was instrumental in getting us through the door at some really high profile organisations.’
 TubeSync
As KBO look forward to Frankfurt they already have further collaborations underway and anticipate generating more interest from manufacturers, amp technicians and musicians alike. If you would like any more information on TubeSync technology, please visit www.kbodynamics.com.
Tags: 100, amp, Ashdown, bass, bias, bias problems, Frankfurt, hi gain, Hiwatt at Musikmesse, Hiwatt custom amp, how to, KBO, KBO Dynamics, Laney, Marshall, Musikmesse, Musikmesse 2010, orange, Output transformer, Pacemaker 100, Think M, Tube Amp Doctor, tube failures, Tubes, TubeSync, UK, valve failure modes, valves Posted in TubeSync | Comments Off
Friday, February 19th, 2010
UK-based KBO Dynamics will be showcasing their pioneering technology with Hiwatt at Musikmesse this March. TubeSync® technology achieves unique benefits including vastly improved reliability and performance in guitar tube amps. Hiwatt have incorporated the innovation in new amp designs to further underline their already exemplary reliability.

TubeSync streamlines with the amp’s circuitry to constantly test and monitor the amp without altering the fundamental amplification process, tone or sound. It eliminates the need for bias current matching, increases tube life by micro-adjusting the bias on each tube, predicts tube failure and can, in the event of tube failure, even run the amp at half power, preventing catastrophic amp damage.
The result is an amp unhampered by many of the problems associated with conventional tube amplification allowing musicians to enjoy classic tube sound quality without the frustrations.
Mark Lodge Hiwatt’s general manager stated ‘Our amps have proven their reliability year after year. Incorporating TubeSync technology has allowed us to raise the bar one step further. The benefits are of great value to us and our customers.’
KBO Dynamics look forward to more exciting collaborations this year. For more information on TubeSync, please visit www.kbodynamics.com

Tags: amp, bass, bias, current, Custom, hi, hi gain, hiwatt, Hiwatt at Musikmesse, Hiwatt custom amp, how to, Musikmesse, Musikmesse 2010, technician, tube failures, TubeSync, UK, valve, valve failure modes, valves Posted in Tube Amplifiers | Comments Off
|